15 Tradition and the individual talent15 Tradition and the individual talent17 Tradition and the individual talent17 Tradition and the individual talentTradition and the individual talent"Tradition and the individual talent" by T. S. Eliot17 Tradition and the individual talent15 Tradition and the individual talent
ὀ δὲ νοῠς ἴσως θειότερόν τι καὶ ἀπαθές ἐστιν
This essay proposes to halt at the frontier of metaphysics or mysticism, and confine itself to such practical conclusions as can be applied by the responsible person interested in poetry. To divert interest from the poet to the poetry is a laudable aim: for it would conduce to a juster estimation of actual poetry, good and bad. There are many people who appreciate the expression of sincere emotion in verse, and there is a smaller number of people who can appreciate technical excellence. But very few know when there is expression of significant emotion, emotion which has its life in the poem and not in the history of the poet. The emotion of art is impersonal. And the poet cannot reach this impersonality without surrendering himself wholly to the work to be done. And he is not likely to know what is to be done unless he lives in what is not merely the present, but the present moment of the past, unless he is conscious, not of what is dead, but of what is already living.